Related pages:
Books of Poetry Form. Alphabetic list of poetry forms and related topics. How to Write Poetry. Essays on how to write specific forms:
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Las formas de la poesía en Español:
El Poema Concreto. |
Books of Poetry Form. |
The Making of a Poem: A Norton Anthology of Poetic Forms Edited by Mark Strand and Eavan Boland. |
The Tritina Verse Form
by Ariadne Unst
History. Form. Your Composition. References. Example.
Do you have an obsession to explore? The length and repetition of found in the Tritina may be the form you need.
The Tritina is related to the Sestina.
Apparently a twentieth-century invention.
In a Tritina:
1 2 3 - End words of lines in first tercet. 3 1 2 - End words of lines in second tercet. 2 3 1 - End words of lines in third tercet. (1 2 3) - Words contained in the final line. |
The repetition of words in a Tritina makes this form a good match for a story that uses common speech, for in conversation the repetition of key words is common. The Tritina is a more "natural" form than the Villanelle (which is comparatively artificial in repeating whole lines) and the Sestina (which is significantly more challenging because it is longer (39 lines) and reuses six words in six six-line stanzas and a closing tercet).
As with other forms, try the traditional form first. Once you have mastered that, you are ready for your own variations.
Here are some steps to take in creating a Tritina:
Alternatively, begin by writing a 3-line poem that you want to expand into a Tritina. Reorganize that tercet if that helps put interesting words on the ends of lines.
1 2 3 |
Do the same for the second and third tercets:
3 1 2 2 3 1 |
Then for the final line, write (spaced out) the three words from the first tercet:
1 2 3 |
Be sure to follow the above guidelines for form. You will then have written 1 (or 3 words) in each of the 10 lines of the whole poem!
Double-check the pattern of repeated words. You should find that the Tritina's pattern is still in order (even though a different word is now word "1", etc.) for all the tercets.
Sometimes a writer wants to vary the line length in order to challenge the listener's or reader's expectations: that is fine if you do it deliberately. Just don't be lazy and cut lines short or run them on because you can't be bothered to fix your poem's problems.
Each such change deviates from the form. The less you follow the traditional form, the less you can claim to have written a Tritina.
Again, only break the form's rules because you choose to, not because you lack the skills and devotion to make your poem work in the traditional form.
Marie Ponsot uses the tritina in her book, The Bird Catcher.
Just because you start with the intention of writing a Tritina, you do not have to keep your poem in that form if it does not work for you. Your attempt to write a formal poem may help you find words that you would not have found otherwise. And you may decide that you choose to end up with a poem in a different form, perhaps even a prose poem.
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Related pages:
Books of Poetry Form. Alphabetic list of poetry forms and related topics. How to Write Poetry. | ||
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© 2005-2016 by Ariadne Unst.
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