Index of Poetry. Highlights for Poetry. Books of Poetry Form. How to Write Poetry. |
Essays on how to write specific forms:
Haibun. Haiku. Hay(na)ku. Rengay. Tanka. Concrete. Ghazal. Lai. Pantoum. Rondeau. Rubáiyát. Sestina. Skaldic verse. Sonnet. Terza rima. Triolet. Tritina. Villanelle. |
Attridge: Poetic Rhythm: An Introduction. Pinsky: The Sounds of Poetry: A Brief Guide. |
Las formas de la poesía en Español:
El Poema Concreto. |
Books of Poetry Form. |
Poetic Rhythm: An Introduction (1995)
by Derek Attridge. Brilliantly insightful. Buy it! |
The Ode Less Travelled:
Unlocking the Poet Within (2006) by Stephen Fry. |
This book of theory opens with its claim to "lite":
There are no rules.
However, principles may be
discerned in actual practice: for example, in the way people actually
speak, or in the lines poets have written.
|
Five Chapters of Theory:
This chapter opens with an interesting question:
What is a line of poetry?
... what vocal reality underlies the typographical convention of stopping at the right margin and
and returning to the left margin?
|
The syntax is trying to speed up the line,
and the line is trying to slow down the syntax.
[p. 29] |
And to emphasize the book's experiential rather than theory-oriented preferences:
Being aware of how a thing is done, and appreciating more by noticing more—is the goal of this book.
[p. 49] |
Introduces terms while centering on the view that:
No aspect of a poem is more singular, more unique, than its
rhythm.
[p. 51] |
[R]hythm is the sounds of an actual line,
while meter is the abstract pattern behind the rhythm.
. . .
Rhythm is the reality
. . . and meter
. . . is the ruler-like symmetry.
[p. 53] |
In addition to praising slant rhyme, extols creating:
phrases in which I hear a kind of delicious contrast between the Latin and the Germanic roots
[of their words],
a little like that between crunch and soft.
[p. 88] |
Points out that:
many poets of the generation of Americans born in the late nineteen-twenties began their careers
writing pentameters and abandoned them.
. . . those who wrote the best, most striking pentameters went on to write the most attractive
free verse.
[p. 101] |
Makes a novel definition of free verse:
The art of the poem [C.K. Williams' "Tar"] is that it achieves an intense cadence than
is neither prose nor iambic: that is one way of defining
"free verse".
[p. 109] |
Asserts that when in free verse:
we hear such cadences, and the presence of the older rhythms moving though such passages and out of them.
This kind of hearing is what makes
free verse
have the intensity of verse.
[p. 113] |
While the Pinsky is an easy read, I can better advise the reader to read Attridge:
Poetic Rhythm: An Introduction (1995)
by Derek Attridge. Brilliantly insightful. Buy it! |
Index of Poetry. Highlights for Poetry. Books of Poetry Form. How to Write Poetry. |
Copyright © 2008-2016 by J. Zimmerman. |
[Thanks for visiting.]